Listen to the Cloud Recording of Fender Studio’s Personal Meeting Room
Walking Test Front & Rear MICs:
Walking Test Front & Rear MICs:
We often get inquires on how to use the Voice Tracker II with iPads and iPhones for enhanced recording range, and for inexpensive conferencing/telemedicine.
There are two “tricks” for doing this.
First, a TRRS splitter is required. This is connected to the 3.5mm jack on the iPad or iPhone and creates separate 3.5mm connections for the mic and loudspeaker. See the photo of such a splitter. Such splitters are readily available commercially.
Second, the output impedance of the Voice Tracker II must be adjusted to match the expectation of the iPad/iPhone. These devices require an input impedance of less than 10Kohm. If the output impedance of the mic in higher than that, the iPhone/iPad will default to their internal mic.
The output impedance of the Voice Tracker II is higher than that, so an adapter is needed in the 3.5mm cable to reduce the output impedance to below 10K.
When the Voice Tracker is connected thru the TRRS splitter and impedance adapter, you can hear the improved pickup range:
Because the Voice Tracker II has built in acoustic echo cancellation, it can be used with iPads or iPhones for inexpensive conferencing. Connect the speaker jack from the TRRS splitter to the ref in jack on the Voice Tracker II, and connect an external powered computer loudspeaker to the speaker out jack on the Voice Tracker II. Provide power to the Voice Tracker II from USB battery, or a USB wall power supply. Then run a VoIP app on the iPhone or iPad.
See the photo below. Note the thicker 3.5 cable to the middle jack on the VT II (the audio out jack). That is the impedance adapter.
If you are using Zoom or Skype for Business as the VoIP App, they have good AECs, so the AEC in the Voice Tracker II is not required.
This reduces the number of cable connections (clutter). You can then connect the speaker jack from the TRRS splitter directly to the loudspeaker. See the photo below.
A well known eastern insurance company is employing Voice Tracker I microphones throughout cubicle areas to facilitate Skype for Business based collaboration meetings.
The Voice Tracker is mounted, together with a camera, on top of a large display monitor. A loudspeaker bar is mounted below the display.
Also below the display is a shelf to hold a laptop. The participants bring along their laptop, place it on the shelf, and connect it for the meeting. The team then stands around the monitor to engage in their conversation.
The Voice Tracker picks up the talkers around the monitor, and ranges of 25 feet or more, and with an extremely wide field of view.
The Voice Tracker I can be used since the AEC in Skype for Business is robust enough to adjust to the Voice Tracker’s listening beam as it moves rapidly from talker to talker. The Voice Tracker II can also be employed, using its own internal fast adapting AEC.
The Voice Tracker’s low cost make it possible to build several huddle areas on each floor.
Acoustic Magic exhibited at InfoComm for the first time this year.
We learned a great deal.
The professional audio world is now taking array microphones seriously and the catalyst for this is the MXA 910 array microphone from Shure, a respected Pro-Audio microphone leader.
Two other companies introduced array microphones, so there are now six or seven companies offering array microphones for conferencing.
The good news is that all these competitors price their microphones much, much higher than the Voice Tracker. And according to a lot of our Resellers, these competitive microphones do not perform any better than our microphone. In some cases, they don’t perform as well.
Part of the reason for this is that they use a different technology. The Shure microphone, the Clear One microphone, and the Phoenix Audio microphone create several listening beams that are fixed (but adjustable) to cover certain parts of the room (where talkers are expected to be).
In contrast, The Voice Tracker creates a scanning listening beam so one beam covers the entire room. A single beam is inherently less complicated, and less expensive. And with our technology you can’t miss talkers that happen to be in between the competitor’s listening beams.
The Shure MX a 910 is $4500 (plus mounting Hardware)
The ClearOne Beamformer Array is ~$2500 (plus it must be connected to a ClearOne DSP)
The Condor from Phoenix Audio is ~$1200
The CS- 700 from Yamaha/Revolabs is $1200 (includes speaker and camera, but it has a small array that is only good to 12 feet)
The HDL 300 from a new Company called NUreva is $3000.
So clearly, we have a big cost advantage. Several Resellers told me this is their “secret weapon”.
From one reseller: “I just did a demo up against a competitor that was using a Shure MXA910 array microphone. The customer didn’t notice much of a difference between that and a VT I. I won the deal because on a $78,000 lecture system, I was $1,800.00 less than my competitor, and I went in with 50% mark-up. Nice, huh? Keep up the good work!”
From another Reseller: “I had to work too hard to make the Clear One work”.
Several Resellers came to our booth to tell us how great the Voice Tracker was. That made us feel good.
16 years of experience with array mics makes a difference.
Two Voice Trackers can be combined for greater room coverage.
Outstanding sound quality can be achieved by connecting them through a mixer. I prefer mixing them through a Biamp Tesira digital signal processor. This allows me to adjust gain and frequency response to achieve terrific sound quality.
For example, I installed two Voice Tracker I in a 60 foot room, with one mounted on the ceiling in each end of the room. I invert one Voice Tracker I in the DSP meaning the tip and shield are reversed, so that way I don’t get any cancellation and get excellent, uniform pickup throughout the room. You can hear the talker perfectly anywhere in the room. The mics worked so well that they had to install weather stripping under the edges of their computer flooring tiles because you could hear noise from the tiles when they walked around. Pretty impressive. Take a look at the pics, you can just see the mics up at the ceiling.
Since the cables runs are long, 89 feet in the 60 foot room, I convert the unbalanced signal from the Voice Tracker Is to balanced.
The microphone is just one small part of an expensive AV system, but it’s so important. I can do a better job with two VT Is than I can with a $4,000 Shure ceiling mic, believe it or not. All of my clients are impressed as heck with our systems’ speech quality. Just have to know audio and be innovative. I love this business, even after 43 years in it…finding your microphones has been a blessing for me, especially after all of my colleagues saying that these are not pro audio microphones. I just say let me demo it, and win every time so far except once, and that time they had me come back and change out their system after another contractor screwed it up..
Martin E. Pilewski
Lead, Systems Design
Harvest AV Solutions
North Kansas City, MO 64116
We just did an installation in which we replaced 12 hanging choir microphones with two Voice Tracker I array microphones to cover an entire middle school stage, 50 feet wide by 30 feet deep. The Voice Trackers were much better than the 12 hanging mics for live sound re-enforcement.
The Theater Director is thrilled with the outcome. They just did a big speaking play (no choral singing), and didn’t use any other microphones at all. I was able to hear everything perfectly in the audience.
We placed the 2 Voice Tracker microphones on the sidewalls, mounted vertically and pointed inward towards the stage. See the diagram below and the photographs. The Voice Tracker is the black line near the flag on the sidewall.
We converted the Voice Tracker’s unbalanced output signal to a balanced audio signal with a RD LTX J2 summing transformer to prevent humming.
We used a dedicated compressor limiter on each microphone and adjusted as necessary to provide superior gain before feedback.
See this PDF diagram with set up instructions.
Harvest Productions, Inc.
Kansas City, MO
People use our Voice Tracker™ array microphones to record meetings, or for conferencing, because of its long pickup range (20 to 30 feet) and 360° field of view.
Our Voice Tracker™ array microphones are designed to be connected to PCs or other devices either through a 3.5 mm analog audio connection (through a soundcard) or a USB connection. The Voice Tracker I has only an analog output, but can he be easily converted to USB using a USB adapter like our part 102A. The Voice Tracker™ II has both an analog audio output and a USB audio output.
Their analog outputs are at mic level, with low impedance, and work well with sound cards. The boost in the soundcard is designed to bring the output up to usable levels. High levels of boost can be employed because of the good signal-to-noise ratio in the microphones.
From time to time we have received inquiries about connecting the Voice Tracker™ microphones to an iPhone (or other smart phones). Initially, this couldn’t be done because the iPhone required a very specific output impedance from the external microphone. If the impedance didn’t match what the iPhone was looking for, it would default to the built-in microphone.
Fortunately, impedance matching connectors have become available to eliminate this roadblock.
We have tested an “ iPhone 1/8 inch microphone adapter to 3.5 mm four conductor TRRS male” adapter from KV connection (part number code KM-iPhone-mic), and it works just fine. Similar adapters are available from other manufacturers. Rode has told us that their adapters also match the iPhone’s impedance requirement, but we have not tested one.
Note that when the KV connection adapter was connected to the iPhone, we lost the speaker output.
This can be corrected by first connecting a” 3 .5 mm 4 pin to 2 x 3 pin 3.5 mm headset splitter adapter” to the iPhone. This adapter is available from companies like StarTech. The arm labeled microphone was connected to the Voice Tracker, and the arm labeled headset was connected to our PC speaker to create a long-range speakerphone with the Voice Tracker I as the mic and the PC speaker as the speaker.
Getting microphone coverage in a courtroom is a challenging task. Depending on the type of proceeding, coverage may be needed not only at the Judge’s bench, Witness chair, and Attorney tables, but coverage may also be required at the Jury box for Jury polling, or at the Gallery for Voir Dire (Jury selection).
Historically this was accomplished by using large numbers of goose neck, wireless or ugly hanging microphones, combined thru elaborate mixing systems.
The automatically and electronically steered listening beam of the Voice Tracker I array microphone provides an economical and easily maintainable alternative.
In the hands of expert Lead Designer Martin Pilewski from Harvest Productions in North Kansas City, Missouri, Voice Tracker I array microphones not only cover the “recording gaps” in the courtroom layout, but also solve a variety of sound reinforcement needs.
An example would be the setups at the 16th Circuit Court of Jackson County Courthouses in downtown Kansas City and Independence Missouri.
One Voice Tracker I microphone is mounted in front of the witness chair. There is no gooseneck microphone for the witness to play with (and misalign or break). With the addition of a compressor in the output of the Voice Tracker, the witness can’t escape being picked up, or overpower the microphone with loud speech or coughing. The compression also provides unique gain-before-feedback capabilities, while the microphone’s beam steering provides the perfect defense against highly reverberant spaces.
Another Voice Tracker I is mounted on the ceiling near the jury box to capture questions/polling from the Jurors. Two are mounted above the left and right side of the Gallery to provide pick up of potential Jurors during Voir Dire. These three usually can cover the ground in between in case the attorneys move about. The pick up pattern of the microphones is such that anyone speaking up to 35 feet away in the pattern can be heard as if the microphone were placed directly in front of them. This eliminates the need to use wireless mics, which adds complexity to the system and suffers from the fact that sometimes their batteries run out.
Voice Tracker I’s also work well at the Judge’s bench, almost too well, as caution must be taken in the system design to be able to mute the microphone to the PA system during side-bar conversations. This rule also applies to the Attorney table’s, where more often a conventional gooseneck microphone would be used as conferring with a client could be picked up by accident. Pilewski recommends a temporary push-to-mute arrangement as Attorneys may sometimes fail to turn their mics back on after conferring, another annoyance that can easily be avoided.
The multiple Voice Trackers are powered from a single, regulated DC power supply to save real estate that would otherwise be taken up by multiple “wall warts”. Martin then converts their audio outputs to balanced via a simple transformer, and compresses their outputs to provide more controlled gain structure.
The balanced microphone outputs go to a Biamp Tesira, where Martin does just a little EQ to improve sound quality.
The audio is available in several modes for recording, as well as a hearing loop broadcast. Most of the time they are set up for FTR recording, but in Harvest Production Systems, output is available in analog, headphone and USB connections so courtroom personnel can record or transcribe them however they want. The systems are also set up for VoIP and networking.
Touch panel control systems are set up for the Judges and Clerks to provide intuitive, simple control. According to Pilewski “The sound system should be transparent, allowing people to speak and be able to hear that speech as a natural extension of the normal voice. Only the Judge should be able to be overly loud. The sound system should be a help, not a hindrance, so simple control is a must. We see way too many control systems with too small screens requiring the user to descend through several pages to get to what they need to do.”
Because the Voice Trackers are so sensitive, Martin has to be careful to eliminate feedback from the sound reinforcement loudspeakers in the courtroom. He uses a mix minus in the Biamp, and that, combined with the compression, eliminates the need for speaker feedback exterminators. Martin uses small Atlas 10 watt 1/4rack space amplifiers for the mix minus.
The economic advantage of the Voice Tracker array microphones is compelling. Four Voice Trackers cost just a little more than $1000. More importantly, all audio is captured.
Besides installing these systems in several court rooms, Pilewski has utilized Voice Tracker array microphones in board rooms for meeting recording and in medical operating rooms for a high-tech “intercom” so the operating doctors can confer with experts during the operation. Harvest Productions also uses the Voice Tracker™ II array microphone for internal videoconferencing.
“The USB version, the VoiceTracker II, is perfect for groups of people using VoIP based conferencing. When used by a group in a room, the VT II’s on-board acoustic echo-cancelling removes the need for “muting”. Simply have individuals with their own devices that join the meeting wear headphones, and the groups use the VTII, and you’ve solved your acoustic echo cancellation problems.”
One of the questions you may ask yourself is “where do I place the Voice Tracker Array Microphone to optimize performance?” Let us help you with the following tips.
With these tips learn how to best use the Voice Tracker array microphone in different rooms.
Although the Voice Tracker picks up through an impressive 360° field of view, it is more sensitive from the front. Therefore, when placing the Voice Tracker on a conference table, we recommend situating it towards the front of the conference table pointing towards the far end.
For classroom recording, it is often placed on the podium in the front of the room, facing the rear of the room. This position helps to best pick up both the professor’s and the student’s voices.
Often, users want to place the Voice Tracker on the ceiling to remove clutter from the conference table or to reduce the possibility that the microphone will “walk off”.
If the Voice Tracker is placed on the ceiling, the same positioning rules apply- place it near the front of the room pointing towards the rear. Note that if you place it on the ceiling you will have a longer audio cable to run to the PC or other microphone input device. The Voice Tracker I has an unbalanced analog output through a 3.5 mm Jack, so 3.5 mm audio extension cables work fine.
The Voice Tracker™ II has both USB audio output and analog audio output. Since there are restrictions on the length of USB cables, and USB extension cables often do not work well, we recommend using the analog audio output for long runs. If you are using the AEC feature in the Voice Tracker™ II, you’ll need two 3.5 mm audio extension cables, one for the audio out of the Voice Tracker and one for the reference signal in. You also need to provide power to both the Voice Tracker I and the Voice Tracker™ II, using a wall power supply.
The Voice Tracker I has a built-in ceiling mount. There is a weight in its base to give it heft. The weight can be unscrewed (making the Voice Tracker I very light). Removing the weight reveals 4 screw holes so the Voice Tracker can be attached (upside down) to the ceiling. The microphone array itself can be swiveled to point slightly downward.
The Voice Tracker™ II also has a weight in the base that can be removed. It comes with a ceiling mounting plate that is connected to the screw hole that holds the weight.
Note that the Voice Tracker array microphone has background noise correction algorithms to filter out stationary noise from fans, air conditioner docs etc. If the microphone is placed too close to such a noise source, the algorithm can create some distortion in the audio output (voices sound like they are underwater); so be sure to locate the Voice Tracker away from such noise sources. The long pickup range of the microphone should make such placement possible.
If the room is large, or reverberant, you may want to combine the output of 2 or more Voice Trackers. This can be done easily combining the analog outputs through a simple 3.5 mm Y or a mixer. If the room is wider than it is long, place both Voice Tracker’s toward the front of the room, pointing towards the rear. If it’s longer than its wide, place one (or more) in the front and one (or more) in the back.
Whichever type of room you are using your array microphone in, you can be confident in knowing that Acoustic Magic Voice Tracker Array Microphones will give you the best clarity, noise reduction and functionality. Learn more about our innovative.
Questions? Call Us Now!
Many people these days are interested in furthering their education as a way to qualify for the next step on their career ladder or to make a complete career change. Distance learning or online learning has become very popular, and schools use a variety of mediums including teleconferencing to provide course information to students.
With our scanning unidirectional technology, only a single conferencing microphone is needed, as compared to several microphones that are normally needed for a large room. This enables high quality, complete room coverage more easily and efficiently.
By using a high quality lecture recording microphone like the Voice Tracker to make recordings, universities and schools are able to allow their online listeners to feel as though they are right in the classroom and don’t miss a single word of what is being said by the instructor as well as questions asked by students throughout the room. Our technology effectively eliminates background noise and echo.
There are a number of reasons why distance learning (audio and video conferencing) appeals to modern learners, including:
Online students need the freedom to log into their course website and access materials at a time that they find convenient. Classroom microphones must be powerful enough to pick up the instructor’s speech clearly so that every word can be conveyed clearly to these distance learners.
Acoustic Magic’s Voice Tracker array microphone provides high-quality sound for classroom recordings. It can be used with both conventional and VoIP conferencing systems.
If the off-site student participates in the class through a loudspeaker in the classroom, acoustic echo cancellation (AEC) becomes an important requirement. Acoustic echo occurs when the voice of the far end students from the loudspeakers in the classroom is picked up by the open microphone in the classroom and sent back to the far end students as an echo.
If the Voice Tracker array microphone is connected to a conventional conferencing system that has its own AEC, the Voice Tracker I can be used. If it is connected to a VoIP conferencing system that does not have a robust AEC, the Voice Tracker II should be used because it has a built-in AEC.
The sound quality is clear and reliable, and students will be able to follow the material being presented with ease.
When the quality of distance learning depends on the microphone used to record lectures, there is no better choice than the Voice Tracker!
Call us now to find out more about the Voice Tracker and other recording solutions to help you communicate more clearly with others who are at a distance!